The imperative was 'Acoustic Integration.' In an environment defined by silence and wind, traditional amplification is intrusive. We deployed unplugged, organic instrumentation (Oud, Cello, Qanun) that physically resonated with the canyon acoustics. The musicians were briefed to act as 'Sonic Sculptors,' improvising in response to the flow of visitors and the changing light on the sandstone.
Environmental Harmony: When music stops being a performance and becomes part of the landscape.
This project validated our capacity for 'Curatorial Sensitivity.' By successfully integrating into the world’s most prestigious land-art exhibition, we proved that Music House understands the delicate balance between heritage, contemporary art, and sound.
The silence of AlUla, amplified by the discipline of art.
Next projects.
(2018-26©)
